Jump to content
HPCrazy Guitar Academy & Music

Search the Community

Showing results for tags 'modes'.

  • Search By Tags

    Type tags separated by commas.
  • Search By Author

Content Type


Forums

  • HPCrazy Guitar Academy
    • Learn Blues Guitar
    • Learn Rock Guitar
    • Learn Jazz Guitar
    • Learn Funk Guitar
    • Learn Guitar Covers
    • Learn Acoustic Guitar
    • Learn Guitar Secrets
    • Learn Guitar Artists
    • Learn Guitar Meditation
    • Learn Classical & Film Music
    • Learn To Compose A Guitar Song
    • Learn Music Theory & Guitar Exercises
    • Guitar Beginners
    • Sound Lab
  • Music
    • HP's Blog
    • Farbmusik
    • Guitar Music
    • Piano Music
  • Guitar Students Club's Student Topics
  • Guitar Students Club's Courses
  • Farbmusik Community's Topics

Product Groups

  • Private Online Guitar Lessons
  • Guitar Course Tests
  • Farbmusik

Categories

  • HPCrazy Guitar Academy
    • Blues Guitar
    • Rock Guitar
    • Jazz Guitar
    • Funk Guitar
    • Acoustic Guitar
    • Meditation Guitar
    • Theory & Exercises
    • Guitar Beginners - Files
  • Healing and Therapy Music
  • Guitar Students Club's Free Guitar Student Files
  • Farbmusik Community's Free Community Files

Find results in...

Find results that contain...


Date Created

  • Start

    End


Last Updated

  • Start

    End


Filter by number of...

Joined

  • Start

    End


Group


AIM


MSN


Website URL


ICQ


Yahoo


Jabber


Skype


Location


Interests

Found 15 results

  1. Version 1.0.0

    17 downloads

    Here you find some basic exercises where you can start using modes on a rock guitar track. The chord progression is very simple with Am / Am / F / G . This gives you time to figure out the different modes and start to use them as showed in the exercises. These files are associated to this tutorial :
    Free
  2. Here I teach you how to start with modes on rock guitar with a simple chord progression : Am / Am / F / G Here you can download the files associated to this tutorial :
  3. View File From Pentatonics To Modes - Tabs Nearly 100% of the guitar players who are interested to start working with modes come from the pentatonic. Here you find an easy way to convert your pentatonic patterns into the mode of your selection. You need to know the minor and the major pentatonic and then you are ready to go. Here you can learn about intervals in specific : Once you know the intervals the trick is that you know your pentatonic patterns by heart and also the intervals which are played in the patterns. To move from the pentatonic patterns to modes you just need to add 2 more notes. Which are those notes ? Major scales : All major scales contain the intervals of the major pentatonic which are : 1 2 3 5 6 Now you just need to add 2 more notes which define which mode you are playing. On the tabs those notes are displayed in green. The red notes are the root notes ( 1 ) Ionian Mode additional notes : 4 7 Lydian Mode additional notes : #4 7 Mixolydian Mode additional notes : 4 b7 Minor scales : All minor scales contain the intervals of the minor pentatonic which are : 1 b3 4 5 b7 Now you just need to add 2 more notes which define which mode you are playing. On the tabs those notes are displayed in green. The red notes are the root notes ( 1 ) Aeolian Mode additional notes : 2 b6 Lydian Mode additional notes : 2 6 Mixolydian Mode additional notes : b2 b6 This file is associated to this tutorial : If you want to move on to move mode patterns you find the 2 main and basic patterns here : Submitter admin Submitted 01/23/2024 Category Theory & Exercises  
  4. Version 1.0.0

    4 downloads

    Nearly 100% of the guitar players who are interested to start working with modes come from the pentatonic. Here you find an easy way to convert your pentatonic patterns into the mode of your selection. You need to know the minor and the major pentatonic and then you are ready to go. Here you can learn about intervals in specific : Once you know the intervals the trick is that you know your pentatonic patterns by heart and also the intervals which are played in the patterns. To move from the pentatonic patterns to modes you just need to add 2 more notes. Which are those notes ? Major scales : All major scales contain the intervals of the major pentatonic which are : 1 2 3 5 6 Now you just need to add 2 more notes which define which mode you are playing. On the tabs those notes are displayed in green. The red notes are the root notes ( 1 ) Ionian Mode additional notes : 4 7 Lydian Mode additional notes : #4 7 Mixolydian Mode additional notes : 4 b7 Minor scales : All minor scales contain the intervals of the minor pentatonic which are : 1 b3 4 5 b7 Now you just need to add 2 more notes which define which mode you are playing. On the tabs those notes are displayed in green. The red notes are the root notes ( 1 ) Aeolian Mode additional notes : 2 b6 Lydian Mode additional notes : 2 6 Mixolydian Mode additional notes : b2 b6 This file is associated to this tutorial : If you want to move on to move mode patterns you find the 2 main and basic patterns here :
    Free
  5. Nearly 100% of the guitar players who are interested to start working with modes come from the pentatonic. Here you find an easy way to convert your pentatonic patterns into the mode of your selection. You need to know the minor and the major pentatonic and then you are ready to go. The trick is that you know your pentatonic patterns by heart and also the intervals which are played in the patterns. To move from the pentatonic patterns to modes you just need to add 2 more notes. This tutorial is a " MUST HAVE " for all players who are sick of playing pentatonics all the time. Here I show you in detail how to proceed and in practical use how to start working with modes. Here you can download the file which comes along with this tutorial :
  6. One of the most requested topics out of 30 years of teaching is the topic " how to gain speed on the guitar " in order to play fast runs. In this tutorial I will have a realistic and sustainable look on this topic. I will focus especially on the tasks which are needed on jazz and smooth jazz guitar playing techniques. So I will show you some exercises for patterns, modes in combination with ear training and theory. You can do all those tasks at the same time. This is the only possibility to save some time. This tutorial is a " Must Have " for any aspiring jazz guitar player. If you want to download the technical exercises I am talking about please follow the links below : If you need any further professional advice on this topic please book a privat skype meeting :
  7. Version 1.0.0

    9 downloads

    Playing different scales, modes and the orientation on the fretboard is a major topic for all guitar players and from my point of view there are 2 ways to approach this problem. 1. You can learn hunderts of patterns which you find in many pattern books you find on the market. Here you find a good collection of different patterns : https://www.guitar.ch/en/guitars/scales/scales.html 2. You understand what is the essence of a scale, how it's built and how you derive from the basic pentatonic patterns to the major and minor scales and modes. The file which you can download here helps you to go the 2nd way. The key is that most guitar players come the minor pentatonic pattern 1 + 4 and there you can start the journey. Derive Minor & Major Scales from basic pentatonic positions 1. Learn the positions 1 + 4 of the minor pentatonic and learn the intervals by heart - these are 1 b3 4 5 b7. The root note is marked red on the graphics. 2. Learn the posistions 1 + 4 of the major pentatonics. The trick is - they are exactly the same patterns on the fretboard - you just need to move the pattern down 3 frets, redefine the root note ( marked red ) and learn the new intervals 1 2 3 5 6 by heart. 3. Minor Scale - check the intervals. The new notes are marked red here : 1 2 b3 4 5 b6 b7. The grid of the pattern of the minor pentatonic remains - just add the 2 new notes. 4. Major Scale - check the intervals. The new notes are marked red here : 1 2 3 4 5 6 7 The grid of the pattern of the minor pentatonic remains - just add the 2 new notes. Additional 2 minor scales ( Harmonic & Melodic Minor ) 1. Harmonic Minor Scale - check the intervals and compare it with the minor scale. The new note compared with the minor scale is marked red. 1 2 b3 4 5 b6 7 2. Melodic Minor Scale - this one is not used often but good to know. It's a mix between minor and major scales. You can derive it either from the minor scale where you have to change 2 notes ( marked red ) 1 2 b3 4 5 6 7 or from the major scale where you have to change 1 note ( marked red ) 1 2 b3 4 5 6 7
    Free
  8. Version 1.0.0

    23 downloads

    Here you find a nice selection of G dorian riffs, patterns and licks from easy till advanced. The backing track added is this vamp here : G-7 / G-7 / C7 / C7 These files are associated to this tutorial here :
    Free
  9. View File Modes - Intervals A lot of students have difficulties in understanding why intervals are so important to understand modes. Here are a few exercises where the modes are all played starting from the C on the 3rd fret on the A string. Here you can see the difference of the modes very well and you can understand how they are built. Once you can alter from one mode to another in just one position then you can start to do this everywhere on the fretboard. All you need to know are the intervals of each mode and where to find each interval in relation to the root note of the mode. This exercise seems to be small and easy but this is the main thing you need to learn if you want to be able to play freely on the entire fretboard. Every mode is defined through the intervals in relation to the root note. Submitter admin Submitted 10/14/2023 Category Theory & Exercises  
  10. Version 1.0.0

    7 downloads

    A lot of students have difficulties in understanding why intervals are so important to understand modes. Here are a few exercises where the modes are all played starting from the C on the 3rd fret on the A string. Here you can see the difference of the modes very well and you can understand how they are built. Once you can alter from one mode to another in just one position then you can start to do this everywhere on the fretboard. All you need to know are the intervals of each mode and where to find each interval in relation to the root note of the mode. This exercise seems to be small and easy but this is the main thing you need to learn if you want to be able to play freely on the entire fretboard. Every mode is defined through the intervals in relation to the root note.
    Free
  11. Here you learn everything you need to know to enrich your guitar playing with modes. This tutorial is a " MUST HAVE " for all guitar players who want to start to open their playing to the full scale of music. Here you can download the exercises associated to this tutorial : If you have any questions please ask here :
  12. View File Easy Scale Building Playing different scales, modes and the orientation on the fretboard is a major topic for all guitar players and from my point of view there are 2 ways to approach this problem. 1. You can learn hunderts of patterns which you find in many pattern books you find on the market. Here you find a good collection of different patterns : https://www.guitar.ch/en/guitars/scales/scales.html 2. You understand what is the essence of a scale, how it's built and how you derive from the basic pentatonic patterns to the major and minor scales and modes. The file which you can download here helps you to go the 2nd way. The key is that most guitar players come the minor pentatonic pattern 1 + 4 and there you can start the journey. Derive Minor & Major Scales from basic pentatonic positions 1. Learn the positions 1 + 4 of the minor pentatonic and learn the intervals by heart - these are 1 b3 4 5 b7. The root note is marked red on the graphics. 2. Learn the posistions 1 + 4 of the major pentatonics. The trick is - they are exactly the same patterns on the fretboard - you just need to move the pattern down 3 frets, redefine the root note ( marked red ) and learn the new intervals 1 2 3 5 6 by heart. 3. Minor Scale - check the intervals. The new notes are marked red here : 1 2 b3 4 5 b6 b7. The grid of the pattern of the minor pentatonic remains - just add the 2 new notes. 4. Major Scale - check the intervals. The new notes are marked red here : 1 2 3 4 5 6 7 The grid of the pattern of the minor pentatonic remains - just add the 2 new notes. Additional 2 minor scales ( Harmonic & Melodic Minor ) 1. Harmonic Minor Scale - check the intervals and compare it with the minor scale. The new note compared with the minor scale is marked red. 1 2 b3 4 5 b6 7 2. Melodic Minor Scale - this one is not used often but good to know. It's a mix between minor and major scales. You can derive it either from the minor scale where you have to change 2 notes ( marked red ) 1 2 b3 4 5 6 7 or from the major scale where you have to change 1 note ( marked red ) 1 2 b3 4 5 6 7 Submitter admin Submitted 04/07/2023 Category Theory & Exercises  
  13. Version 1.0.0

    30 downloads

    To fully understand the derivation of modes, related chords and options it is a must that you start to see scales and modes as a summary of intervals which have to be learnt by heart. You can skip this part of music theory if you are only into blues and basic rock guitar but if you want to learn how to create chord progressions from the diatonic modes, how chords are built and how to add options ( ex. Cmaj9, Dm11, G7#9 ) then you need to understand this part of music theory. On this working sheet I have added the essential parts of the theory. Take your time on it to learn and understand it. You need to manage the 7 basic modes - ionian, dorian, phrygian, lydian, mixolydian, aeolian and locrian completely in order to really start working with it in your creative playing. If you have any questions about these working sheets please ask them here :
    Free
  14. View File Diatonic Chord Progressions, Modes, Intervals and Options To fully understand the derivation of modes, related chords and options it is a must that you start to see scales and modes as a summary of intervals which have to be learnt by heart. You can skip this part of music theory if you are only into blues and basic rock guitar but if you want to learn how to create chord progressions from the diatonic modes, how chords are built and how to add options ( ex. Cmaj9, Dm11, G7#9 ) then you need to understand this part of music theory. On this working sheet I have added the essential parts of the theory. Take your time on it to learn and understand it. You need to manage the 7 basic modes - ionian, dorian, phrygian, lydian, mixolydian, aeolian and locrian completely in order to really start working with it in your creative playing. If you have any questions about this topic and the related working sheet please ask them here in this topic below or book a private online lesson. Submitter admin Submitted 06/13/2022 Category Theory & Exercises
  15. Here you can learn how to play and use the harmonic minor scale. As an example if you have a song with the chords Am and E7 you use harmonic minor on the E7 chord. Here you find some advanced exercices on harmonic minor. You find all modes and all related chords with 3 note per string patterns for E and A typ chords in the exercises. Take your time on them. technik uebungen _ diatonische tonleitern _ harmonisch Moll.pdf
×
×
  • Create New...

Important Information

Please read our Guidelines !